I don’t know how many of you saw Michael Mann’s most recent film, Public Enemies, but if you did I’m sure you know where I’m going with this. I was excited about the movie, being a Johnny Depp fan and being fascinated by the story of John Dillinger. However, the film was terrible, I could hardly watch it due to the visual quality being so horrible. It had the worst cinematography of any film I’ve ever seen. As TIME magazine put it, “It looked like parts of the film were shot on an iphone.” The lighting was terrible and the overall camera movement and utilization, etc was abominable. Dante Spinotti, the cinematographer is an experienced professional and it seems the only thing different about Public Enemies was that is was shot on digital whereas most of his previous projects were film. You have to light for the medium, you light some film stocks differently depending on their ratings and you should run tests on the digital camera you’re using so you can light for it accordingly. This film’s aesthetic failure was a big win for film, film’s dynamic range is more forgiving than that of digital’s ccd’s. I’m not suggesting that the film would have won an oscar for cinematography, but I am sure that film would have been more forgiving of the blunders in lighting and such. Some of the film’s problems can also be blamed on the post supervisors, they clearly screwed up as well with how the digital was prepped for transfer, etc.
Another big problem I have with people like Mann shooting film’s such as PE on digital is this. If you’re shooting a period piece and it is supposed to look old, why not shoot it on the medium that existed back then and give it a genuine vintage look. I think people should exploit the positives in both digital and film, use your brain. If money is no object for your film, choose the medium that is going to do the most for your movie. For instance, shoot your outer space futuristic movie on DIGITAL, and your civil war film on FILM. Just a thought.
